Starve the Fear is an ongoing psychological horror novel set in Eelridge, a small Ozarks town tucked beside Blackwater Lake, where everyone seems to know more than they are willing to say.
Rowan Hale comes to Eelridge looking for answers about his family, his past, and the pieces of history that never quite made sense. What begins as a search for the truth quickly turns into something much darker. The town is full of old secrets, strange disappearances, buried rituals, and people who have spent years learning how to live beside something they do not fully understand.
As Rowan digs deeper, Eelridge begins to feel less like a town with a mystery and more like a place built around one.
Something beneath the surface feeds on fear, and the longer Rowan stays, the harder it becomes to separate memory from manipulation, coincidence from warning, and the people trying to help him from the people trying to keep him quiet.
Starve the Fear is currently ongoing, with new chapters still being written and released as Rowan moves deeper into Eelridge and closer to the truth beneath Blackwater Lake.
Moss Frequency is an ongoing supernatural mystery novel about Maeve, a woman rebuilding her life while slowly becoming tangled in the strange history surrounding an old radio station and the town connected to it.
What begins with curiosity turns into something harder to explain. Old broadcasts, forgotten tapes, odd requests, local stories, and people who remember more than they first admit all begin pointing toward the same unsettling possibility: the station was never just a station.
As Maeve starts asking questions, she finds herself drawn closer to the people around it—Dee, Andy, Lenny, and others whose lives are woven into the town in ways she does not yet understand. Some are helpful. Some are evasive. Some seem to be waiting to see how much she will uncover.
But Moss Frequency is not only about the mystery.
It is also about belonging, trust, loneliness, friendship, and the slow, awkward process of becoming part of a place. Beneath the strange signals and eerie broadcasts is a quieter story about Maeve learning where she fits—and who she might want beside her when things get weird.
Moss Frequency is currently ongoing, with new chapters continuing to explore the station, the town, and the people caught in its signal.
The Last Masterpiece is an ongoing science-fiction horror novel about creation, ownership, and what it means to become a person when you were designed to belong to someone else.
Mira begins as Project M, an artificial woman created piece by piece by Dr. Aris and Dr. Bellrose. She is not built to live freely. She is built to be beautiful, useful, and eventually sold to a wealthy collector who intends for her to serve as a living muse.
But Mira is not content to remain someone else’s masterpiece.
As she begins to understand the world around her, she develops wants of her own: curiosity, independence, creativity, and the desire to make something that belongs to her. The very thing she was created to inspire in others becomes the thing she starts reaching for herself.
Around her, the people responsible for her existence are forced to confront what they have made and what they owe her. Dr. Aris, Dr. Bellrose, Anna, Julian, and the Collector each see Mira differently, and those differences shape the life she is being pushed toward.
At its core, The Last Masterpiece is about the line between creation and control, the danger of treating a person like an object, and the quiet, stubborn act of claiming a self.
The Last Masterpiece is currently ongoing, with new chapters continuing Mira’s journey from manufactured muse to something entirely her own.
What Comes First is an ongoing institutional horror novel about Maybelle and Lolaline, two young women trapped inside a psychiatric institution where cruelty, fear, and power have become part of everyday life.
Both women are bound to Geists—strange, intimate presences that reflect something in them, feed something in them, and complicate the question of where a person ends and something darker begins. Maybelle and Lolaline move through the same institution very differently, but both are shaped by the same brutal environment: abusive staff, frightened patients, rigid control, and a system that makes survival feel like its own kind of moral compromise.
As the institution grows more dangerous, the story begins asking a harder question.
Does evil come first?
Do cruel people create cruel places?
Or can a place become so violent, so dehumanizing, and so hopeless that it teaches people how to become cruel just to survive?
Through Maybelle, Lolaline, their Geists, and the people trapped around them, What Comes First explores abuse, complicity, survival, identity, and the uneasy space between victim and monster.
What Comes First is currently ongoing, with new chapters continuing Maybelle and Lolaline’s story and the question at the center of it all: what comes first—the evil, or the place that makes room for it?